Buy the work.
For collectors building something considered, and for first-time buyers who want to start well. We advise on what to acquire, source work across the market, and stand behind every piece with provenance and a certificate. The work comes first.
An eye, on your side of the table.
Most people buy art the hard way. A fair, a scroll, a wall of options and no one to tell you which one is actually good. The result is a piece bought on impulse, or no piece at all.
A consultation puts a working gallery's eye on your side. We have spent nearly a decade selecting work, placing it, and watching how it holds over time. We bring that judgement to what you are trying to build, whether that is a first acquisition or a collection extended over years.
We advise on the work itself. What is good, what will last, what is worth the money. Where it ends up hanging is a separate question, and one we are happy to answer, but it is not where we start. We start with the art.
Four ways people work with us.
First-time buyers
Buying your first serious piece without the intimidation. We explain what you are looking at, why it holds value, and how to start a collection you will still be glad of in ten years.
Established collectors
An independent eye to refine and extend a collection. We advise on what fits, what fills a gap, and when a work is worth stretching for, across primary and secondary markets.
Corporate and developers
Acquiring original work for offices, lobbies, and developments. A coherent body of work selected for the building, owned outright or held on the rental program.
Sourcing a specific work
You know the artist, or the piece. We find it. Direct from our represented artists, or sourced through the auction and secondary market on your behalf.
From conversation to wall.
A consultation is a relationship, not a transaction. Most begin with a conversation and continue over years. There is no fee to start.
We listen first
What you are drawn to, what you already own, the budget, the ambition. If there is a space, we look at it. If there is not, we start with the art.
We bring options
A considered shortlist from the gallery and sourced from the wider market. Each one chosen for a reason we can explain, not a wall of choices to sort yourself.
You see the work
In the gallery, or on your own wall on approval. Art is decided in person, not on a screen. There is no pressure to take any of it.
We handle the rest
Provenance, certificate of authenticity, payment, delivery, and installation. The piece arrives documented and hung. The relationship continues.
The full acquisition, handled.
Acquisition
Choosing the right work for the right reasons. Quality, condition, significance, and price. We tell you when something is worth it and when it is not.
Collection building
A collection with a thread running through it, built over time. We help you acquire with coherence rather than one piece at a time with no through-line.
Sourcing
Across our represented artists, the wider Australian and Indigenous market, and international work. When a piece sits in the secondary market, we source it through auction on your behalf.
Provenance and authenticity
Every work we place carries documented provenance and a certificate of authenticity. You know what you own and where it came from.
An eye worth borrowing.
Independent advice
We advise on the work, not a sales target. If the right piece for you is not one of ours, we say so and source it.
Real access
Direct relationships with our represented artists, plus sourcing across the auction and secondary market for work we do not hold.
Nearly a decade in
Years of selecting, placing, and standing behind work in Sydney. The eye is trained and the relationships are real.
Documented, always
Provenance and a certificate of authenticity with every piece. Acquisition handled end to end, including delivery and install.
What you would be looking at.
From senior Indigenous painters to international names and emerging Australian work. A consultation draws on all of it. A few examples of the calibre we place.
Indigenous
International
Australian abstract
Emerging
Before you book.
Send an enquiry.
Tell us what you are drawn to, or what you are trying to build. A few lines is plenty. Audrey or Georgia reads every enquiry personally and responds within one business day.
See the work in person.
50 Bridge Street
Sydney NSW 2000
Weekends by appointment
The collection is online.
Every work the gallery holds is catalogued online, from emerging Australian painters to senior Indigenous artists and international names. Browse first, then bring us a shortlist.
Browse the collection