The right work, in the right space.
Original work for offices, hotels, display suites, and hospitality spaces. We select it, install it, and rotate it. Rental fees are generally treated as a tax-deductible operating expense.
The first site visit is free. No obligation. No capital tied up.
"The walls were the last thing we thought about and the first thing clients mention. We approved a selection in one meeting and have not thought about it since."CEO — Sydney retail company head office
Programmes currently running across law firms, corporate offices, hotels, and display suites in the Sydney CBD.
"We had no idea how much the art would change the feel of the space. Every new client who walks in comments on it."Director — Sydney law firm
Programmes currently running across law firms, corporate offices, hotels, and display suites in the Sydney CBD.
"Audrey curated the whole floor in a week. The works rotate so it never feels stale — our team loves it."Head of Workplace — Sydney corporate office
Programmes currently running across law firms, corporate offices, hotels, and display suites in the Sydney CBD.
Spaces that make an impression.
Law firms. Hotels. Property developers. Coworking spaces. Corporate offices. Commercial real estate. If people walk through it, art makes it work harder.
Law firms.
Art in client-facing floors reduces perceived wait time and signals the culture of the practice — before a word is spoken.
Client-floor programmeProperty developers.
A display suite with original art helps buyers see the life of the space, not the vacancy. It closes faster.
Display-suite programmeHotels and hospitality.
Guests notice and photograph art. It shapes the review, sets the tone, and does more for the brand than almost any other spend.
Guest-experience programmeCoworking and flex space.
Art makes flex space feel considered rather than generic — the detail that converts a trial member to a long-term one.
Member-experience programmeCorporate offices.
Original work on workplace floors improves retention signals and communicates investment in the people who use the space daily.
Workplace programmeCommercial real estate.
Art in a vacant tenancy helps prospective tenants imagine the floor occupied — agents use it as a closing tool.
Agency programmeThe space does the work.
A point of view, not a catalogue.
We visit the space. We understand how it's used, who sees it, and what it needs to say. Then we make the call. Thirty years of looking at art means we know what will hold.
A finished room.
Gallery-standard installation. Levelled, lit, accounted for. Our crew, our hardware, around your schedule. You walk in to a room that's done.
A room that stays current.
Works rotate on the agreed schedule and are removed at end of term. The space keeps moving — without a thought from you.
What a programme costs.
Display Suite
Curated selection, installation, and removal at term end. Suited to display suites, openings, and short-run campaigns.
Get a quote →Annual Programme
Full curation, gallery-standard installation, insurance, rotation, and removal. The starting point for most clients.
Get a quote →Multi-site
Works rotate across multiple floors, properties, or sites on a coordinated schedule. Built for portfolio-level programmes.
Get a quote →Enterprise
For large-scale institutional programmes, acquisitions alongside rental, and long-term collection development.
Get a quote →Tax treatment: Rental fees are generally treated as an operating expense — deductible in the year incurred, the same way office rent or equipment hire works. The instant asset write-off for purchased artwork is now capped at $1,000; rental sits outside that change. Confirm with your accountant.
All programmes are bespoke. Figures above are indicative — the actual investment depends on scale, number of works, and duration. We confirm pricing at the consultation.
A sample of what's available.
Works available through the rental programme. The right selection for your space is what the consultation determines.
Before you book.
The questions we hear most often. Anything not covered here, ask in the brief.
What is the minimum commitment? +
The standard programme is twelve months. Rotation cadence is agreed at the start — we work around your schedule. For display suites, openings, and shorter campaigns we run 3-month fixed-term installs.
What happens if a work is damaged? +
Works on shorter programmes are covered by the gallery. On annual and extended programmes, clients add the works to their contents insurance — we provide a full valuation schedule to make this straightforward. If a work is damaged, contact us immediately and we'll manage the process from there.
Can we buy the work we rent? +
Yes. If you decide a piece belongs in the space permanently, we can arrange the purchase. Speak to your account contact and we'll walk through the options.
Who installs the work? +
Our installation crew. Works are levelled, lit, and accounted for with a conditions report at install and at rotation. We patch and finish any wall fixings at removal.
What lead time do you need? +
Two to three weeks from brief to install for standard programmes. Faster for display suites and event programmes.
How does the tax treatment work? +
Rental fees are generally treated as operating expenses, deductible in the year incurred — the same way office rent or equipment hire works. The instant asset write-off for purchased artwork ended 30 June 2025 and is now capped at $1,000; rental sits outside that change. Confirm the treatment with your accountant.
Can the programme rotate across multiple sites? +
Yes. Multi-site programmes are built for portfolio rotation. Works move on a coordinated schedule across floors, properties, or sites.
Send a brief.
A few lines gets us prepared for the call. We read every brief personally and respond within one business day. The first site visit is free.
Prefer to talk now?
Call (02) 9552 3018, Monday to Friday, 9am – 6pm.